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The United Nations Development Programme (UNDP) is the United Nations' global development network. It advocates for change and connects countries to knowledge, experience and resources to help people build a better life. UNDP operates in 166 countries, working with nations on their own solutions to global and national development challenges. As they develop local capacity, they draw on the people of UNDP and its wide range of partners.

UNDP is an executive board within the United Nations General Assembly. The UNDP Administrator is the third highest ranking official of the United Nations after the United Nations Secretary-General and Deputy Secretary-General.

Headquartered in New York City, the UNDP is funded entirely by voluntary contributions from member nations. The organization has country offices in 166 countries, where it works with local governments to meet development challenges and develop local capacity. Additionally, the UNDP works internationally to help countries achieve the Millennium Development Goals (MDGs).

UNDP provides expert advice, training, and grant support to developing countries, with increasing emphasis on assistance to the least developed countries. To accomplish the MDGs and encourage global development, UNDP focuses on poverty reduction, HIV/AIDS, democratic governance, energy and environment, social development, and crisis prevention and recovery. UNDP also encourages the protection of human rights and the empowerment of women in all of its programs.

Furthermore, the UNDP Human Development Report Office publishes an annual Human Development Report (since 1990) to measure and analyze developmental progress. In addition to a global Report, UNDP publishes regional, national, and local Human Development Reports.

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In the 4th Century BCE, Aristotle wrote his Poetics, which quite simply is the first manual of playwriting. In this benchmark text, Aristotle establishes the principle of "action" or "praxis" as the basis for all drama. Aristotle establishes a hierarchy of elements for the drama beginning with Plot (mythos), Character (ethos), Thought (dianoia), Diction (lexis), Music (melopeia), and Spectacle (lusis). The ends of drama were plot, character, and thought, the means of drama were language and music, and the manner of presentation was spectacle. Since the myths, upon which Greek tragedy were based, were widely known, plot had to do with the arrangement and selection of materials. Character was equated with choice, as opposed to psychology, thus, character is determined by action. In tragedy, the notion of ethical choice determined the character of the man. Thought had more to do with arguments, and rhetorical strategies, rather than "theme" has it would today. Language and Music were the material means of drama, much like paint and brushes are the means of the painter. Aristotle's methodology was inductive and based on reading the great tragedians of his day. In other words, he redacted his theories from the plays themselves, rather than begin with a theoretical approach. As such, it is not intended as dogma (as it would later become) but was written as a guide describing best practices. His definition of tragedy as "the imitation of an action that is serious.....etc." brought in the concept of mimesis from real life, rather than from the ideal that Plato had touted. Thus, he developed his notion of hamartia, or tragic flaw, which was really an error in judgment by the main character or protagonist. The Poetics, while very brief, is highly condensed and worthy of study by any playwright today. It provides the basis of the "conflict-driven" play, a term we still tout as the sine qua non of dramaturgy. Perhaps, the most Aristotelian of contemporary playwrights is David Mamet. Mamet embraces the idea of character as "agent of the action" and exemplifies causality in the structure of his plays. His recently revived, Speed the Plow, is quintessentially Aristotelian: it observes the unities, with exception of Act Ii's change in place, and builds its plot through a causal stream of discoveries and reversals.

The term playwright appears to have been coined by Ben Jonson in his Epigram 49, To Playwright, as an insult, to suggest a mere tradesman fashioning works for the theatre. He always described himself as a poet, since plays during that time were always written in meter and so regarded as the provenance of poets. This view was held even as late as the early 19th century. The term later lost this negative connotation.

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The Andes is the world's longest continental mountain range. It is a continual range of highlands along the western coast of South America. This range is about 7,000 km (4,300 mi) long, about 200 km (120 mi) to 700 km (430 mi) wide (widest between 18 degrees South and 20 degrees South latitude), and of an average height of about 4,000 m (13,000 ft).

Along its length, the Andes is split into several ranges, which are separated by intermediate depressions. The Andes is the location of several high plateaux – some of which host major cities such as Quito, Bogotá, Arequipa, Medellín, Sucre, and La Paz.

The so-called Altiplano plateau is the world's second-highest plateau following the Tibetan plateau. The Andes extends to seven countries, in alphabetical order: Argentina, Bolivia, Chile, Colombia, Ecuador, Peru, and Venezuela, some of which are known as the Andean States.

The Andes range is the world's highest mountain range outside of the continent of Asia. The highest peak, Mt. Aconcagua, rises to an elevation of about 6,962 m (22,841 ft) above sea level. The peak of Mt. Chimborazo in the Ecuadorean Andes is located at the point on the surface of the Earth that is the most distant one from its centre.

This is because of the Earth's equatorial bulge that results from its rotation. The world's highest volcanos are in the Andes, including Ojos del Salado on the Chile-Argentina frontier which rises to 6,893 m (22,615 ft), and over 50 other volcanos that rise above 6,000 m.

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Each casino has a unique set of chips, even if the casino is part of a larger company. This distinguishes a casino's chips from others, since each chip and token on the gaming floor has to be backed up with the appropriate amount of cash. In addition, with the exception of Nevada, casinos are not permitted to honor another casino's chips.

The security features of casino chips are numerous. Artwork is of a very high resolution or of photographic quality. Custom color combinations on the chip edge (edge spots) are usually distinctive to a particular casino. UV markings can be made on the inlay. Certain chips incorporate RFID technology, such as those at the new Wynn Casino in Las Vegas. Also, maker's marks are difficult to reproduce.

Counterfeit chips are rare. High levels of surveillance, along with staff familiarity with chip design and coloring, make passing fake chips difficult. Casinos, though, are prepared for this situation. According to one report, a Canadian casino removed all chips from the gaming floor and replaced them with new sets with alternative markings, which resulted in the arrest of the attempted counterfeiters. All states require that casinos have a set of chips in reserve with alternate markings, though they may not be required to have exactly the same number of reserve chips as they do on the floor.

Casino chips used in tournaments are usually much cheaper and much simpler in design. Because the chips have no cash value, usually chips are designed with a single color (usually differing in shade or tone from the version on the casino floor), a smaller diameter, and a basic mark on the interior to distinguish denominations; however, at certain events (such as the World Series of Poker or other televised poker), chips approach quality levels of chips on the floor.

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